

"Should I Stay or Should I Go," by The Clash (1981). The scene turns the Cruella soundtrack song on its head, making the "I get Ideas" part of the song way more sinister than how it was originally intended by Martin. A romantic ballad turns literal when the Baroness gets ideas and steals Cruella's dress design. "I Get Ideas (When We Are Dancing)," by Tony Martin (1951). Related: Why Glenn Close Is Credited On Cruella 2021 As Blondie was one of the great female rock icons of the '70s, the Cruella soundtrack wouldn't have been complete without one of her songs As is frequently the case in movies, this power punk-pop song turns ominous as it plays to a montage of Cruella embarking on a mission to destroy the Baroness and take over the fashion world. The song plays in one of the scenes that shows how great of a con artist Cruella is, as she steals the keys from the guard and throws them back to Horace.
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With its epic-sounding " na na na na na na na," "Hush" could make any scene in any movie look cool, and it especially works on the Cruella soundtrack. I'm the wild one," play as Cruella makes her entrance at the Baroness' ball. The song's apropos lyrics, " You can't hold me down. Quatro's feminist anthem is the first song in the movie to embrace the 1970s punk rock movement - when much of the movie is set - so it's appropriate that it acts as an introduction for the villainous Cruella, who eventually becomes a punk icon in her own right. It's one of the coolest-sound rock songs ever with the iconic guitar riff and sits well on the Cruella soundtrack as it plays over Cruella's first proper appearance. The 1975 track is a cover of a 1969 Led Zeppelin song, and while the raunchy song might initially seem out of place in a Disney movie, it works surprisingly well. "Whole Lotta Love," by Ike & Tina Turner (1975). Cruella takes another turn toward funk right before Estella meets Artie, with the distinct sound again marking an important moment of transition in her life as she spots a red dress in the window of 2nd Time Around. The lyrics perfectly big-sounding horns of the song perfectly fit the scene's mood and sits well on the Cruella soundtrack. The oft-covered jazz standard plays as Estella walks into the House of the Baroness, reflecting her visceral pleasure at making it big. Another R&B song bordering on hard rock accompanies the entrance of the Baroness, the best fashion designer in London, who hires Estella on the spot before her chaotic escape from the police. RELATED: Cruella Cast & Character Guide: Where You Know The Actors From Estella, who starts exhibiting Cruella tendencies, sings along to this ultra-popular country hit as she decides to walk away from her job in a drunken fit of rebellion, destroying/redesigning the Liberty's front window. "These Boots Are Made for Walkin'," by Nancy Sinatra (1965). The song is on the Cruella soundtrack when Estella flees from the police and makes a lasting connection with fellow street urchins Jasper and Horace and, as an added bonus, fits the movie's dog theme. Cruella starts getting funky when Estella moves to London, with Gaye's soulful single creating a "nothing in life is free" vibe.

"Watch the Dog That Bring the Bone," by Sandy Gaye (1969). Related: Every Live-Action Disney Remake, Ranked From Worst To Best Eric Burdon's vocals slide easily from bass to soprano, creating a wild feel culminating in Catherine's death.
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What better to kick off the first action scene of the movie than a bluesy rock hit from the early days of The Animals? "Inside Looking Out" has a relentless beat that kicks in as Estella starts wreaking havoc at the Baroness von Hellman's ball, and keeps driving forward as the infamous Dalmations break free for a chase. "Inside-Looking Out," by The Animals (1966). The progressive rock song - picked from what is widely considered the best Bee Gees album of the 1960s - is part of the Cruella soundtrack when Estella's mother, Catherine, pulls her car up to a mansion where she hopes to get financial assistance. "Whisper Whisper," by the Bee Gees (1969).
